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Jose P. Alcantara: A paean in wood to the Philippines

Jose P. Alcantara (1911-2005), described as “the last maestro of traditional wood carving,” is best known for his masterpiece, a large-scale relief narra wood panels that used to adorn the Philam Life Auditorium in Ermita, Manila. Today, Alcantara’s masterpiece is displayed at the National Museum of the Philippines.

Jose P. Alcantara: A paean in wood to the Philippines

Make it make sense: Duterte numbers and the blame BBM train

In truth, between the Duterte arrest in March, across the 2025 campaign, and through to the present, a content bucket that has constantly been filled is that one that speaks of Duterte as the Pinoy every man, the Juan dela Cruz, who became President. This is further dispersed across smaller content buckets, each one filled deliberately and strategically, and then mass dropped on Tiktok accounts that grow almost by the week.

Make it make sense: Duterte numbers and the blame BBM train

Counterflow: Postwar Philippine modernism

The Ateneo Art Gallery (AAG) presents A Synergy of Ventures: The Post War Art Scene, an exhibition that commemorates the birth centennial of Fernando Zobel (1924-1994), the founding donor of the university’s museum. It runs until 12 July 2025.

Counterflow: Postwar Philippine modernism

Why Davao Oriental for Bong Go’s own dynasty

Go’s transfer to Lupon, Davao Oriental is seen as his break from the Duterte children and their heirs, now numbering five in political power. With Go’s higher ambitions, his chances of having the city as his baluarte are dim. It will always be in the hands of the Duterte children, who see him as belonging to the opposing Honeylet Avanceña side of the broken family.

Why Davao Oriental for Bong Go’s own dynasty