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In a recent talk titled What Recipes Don’t Tell: Women in Our Culinary History, renowned food historian Felice Prudente Sta. Maria recounts the lives of three extraordinary women who made their indelible mark in our food history, centering the kitchen as a place of empowerment: Juliana Gorricho vda. de Pardo de Tavera, Maria Y. Orosa, and Pura Villanueva Kalaw.
Hánag in Hiligaynon refers to early dawn, its soft light just before the moment of fullillumination. It refers “to the quiet persistent arrival of light–that subtle glow, the shimmeringoutline… or what can be seen as a deliberate tracing of a path yet to be fully revealed…”.
The Negros Museum, Bacolod City presents Diaries of My Time, a solo exhibit by Roedil “Joe”Geraldo who has been telling stories through his artmaking for over 30 years. It runs until September 21, 2026.
Panulok offers an invitation to “magtulok sang maayo” or “look carefully,” embedding in us a spirit of reflection, intentionality, and empathy.Panulok, in its second iteration, is an exhibit of 18 artworks by 15 Negros artists until August 15, 2026 at the Negros Creative Corner, 1F Ayala Malls Capitol Central, Bacolod City.
The Philippine response to ube’s global demand is mostly reactive. Teodoro C. Mendoza, PhD, a retired UP Los Baños professor and agricultural scientist, has argued for a strategic Philippine plan on ube and to control its whole value chain.
Showing some 28 works, Halangdon is a survey of Navarro’s art practice that spans painting, sculpture, assemblage, printmaking, and graphic design using a diverse media of oil, acrylic, watercolor, metal, wood, and found objects.
Patubas: Aning Ani features some 40 contemporary works by winners of the Philippine Art Awards through the years at the Iloilo Museum of Contemporary Art, Iloilo City.
An exhibition titled Sulunod features the prints and ceramic works of Nelfa Querubin in her own permanent gallery at the UP Visayas MACH (Museum of Art and Cultural Heritage). Its title comes from the Hiligaynon root word suno (according), suluno (consistency or in accord with), and sulunod (one after the other) that describes a lifetime of Querubin’s creative work on paper and clay.
Migrants from the Philippine travel the world, and the longing for home always stays with them. Six artists and their 16 paintings express their yearning for home in an exhibition titled Sown by the Traveler: Women and Migrants in Philippine Art, at UPV MACH (UP Visayas Museum of Art and Cultural Heritage), Iloilo City. Curated by Patrick D. Flores from the collection of the Lopez Museum and Library, it runs until May 8, 2026.
Leonard Aguinaldo’s work critiques the curse of development in Baguio as seen in the rampant rise of shopping malls and condominiums and their environmental impact: destruction of habitat and natural ecosystem and loss of biodiversity.
